John Baldwin, Anika Carpenter, Julie Fagan, Sarah Gladden, Thomas Jacobi, Matthew Krishanu, Maggie Lambert, Tom Palin, Chiz Turnross
St George’s German Lutheran Church, 55 Alie Street, London E1 8EB
Preview: 6 – 8pm Friday 17th September 2010
OPEN: 10AM – 4PM 18th September – 19 th September 2010
The group exhibition Sanctuary is to be held in St George’s, an 18th century German Lutheran Church, in London’s Whitechapel. Sanctuary is supported by The Historic Chapel’s Trust and is held in conjunction with the citywide architecture festival Open House London, where outstanding and usually closed-off buildings across the capital open their doors to the public.
The exhibition interprets the phenomenon of sanctuary in a two-fold manner. Firstly, artists’ paintings, prints or sculpture, that figuratively represent motifs of sanctuary, such as journeys of refuge, remote dwellings or private interiors. Secondly, site-specific architectural interventions that engage with and highlight St George’s Church itself and its physical, historical and symbolic role as a sanctuary.
The Open House festival is not simply a platform for the exhibition; it also functions as a context, underpinning the temporal and architectural associations inherent within notions of sanctuary. Furthermore St George’s is itself a spiritual sanctuary, and the result of a refugee influx, in particular during the Nazi period in Germany, the church’s pastor, Julius Rieger, established a relief centre for Jewish refugees from Germany, who were provided with references to travel to England.
Sanctuary is a shifting mental and physical state or place that is defined by its opposition to another. It is often sought but rarely found. The desire for it is born out of both negative and positive drives, a traumatic experience or feeling of restlessness, a longing for isolation or peace. It takes many forms, from a country to a cave, far away or close-by; a host must offer it, a journey must be made, the solace it provides is dependent and the choice to leave or remain is indefinite.
This exhibition seeks out sanctuary, expounding it as twofold and contingent phenomenon: looking inwards, purging and strengthening the interior, but always provided by and in communion with someone other or someplace elsewhere.
Artists and Artworks
Julie Fagan’s Tales from The Waiting Room series, uncannily pairs a row of beach-huts with a clockwork diving board. Built in layers of muted yet luminous acrylic hues on expansive canvas planes, these paintings are evocative launch pads to moments of contemplation and aplomb.
In Retreating. Revealing. Anika Carpenter has remodelled the rooms of the flat she shares with her partner, stacking them one on top of the other, forming a jenga like tower that stands head height. Two hearts under one roof that can engender in the artists words ‘seemingly conflicting feelings, both secure and exposed’ – a haven found in, but subject to another.
Tom Palin’s jarred and muddy Lynchian oils of perched cabins or nooks under bridges, capture the feelings of disquiet and poignant journeys undertaken, that often accompany quests for sanctuary.
Mathew Krishanu’s in situ portraits of sequestered sitters are hauntingly enigmatic and unaffected studies of introspection and vulnerability.
Photographer Maggie Lambert’s series of other-worldly landscapes ambiguously oscillate between the dystopian and utopian – places to flee or places of refuge. Beside hang the day-glo series Asylum Seekers, eyes obscured, inversely intimating the burka. Alongside this work is a book (cover by Lambert) entitled Mournfully Flows the Tigris by Kurdish writer Diyar Budak, which chronicles the author’s imprisonment and torture by Turkish authorities and eventual fleeing.
Chiz Turnross presents oil paintings on cross sections of tree trunk depicting masked anti-hero loners, from Pierrot to Doctor Doom, wandering in romantic and melancholic landscapes.
Thomas Jacobi’s bold calligraphic works on rice paper were produced by the artist in Fujian, China and are part archaeology, part ritual. He selected stone, brick or clay from soon to be demolished dwellings, some dating back to the Ming period, and laboriously grinded them over days to form a pure pigment to paint with.
John Baldwin will install over a hundreds tiny highly coloured ‘broken’ paintings composed of ‘squirts’ that evoke cosmic constellations or tropical waters.
Sarah Gladden delicately intervenes almost invisibly with some of the unnoticed functional aspects of the church’s interior, inspired by the forms of the stain glass windows and ambience of the space.
For further information, interviews, images or photo calls please contact the exhibition’s curator Sam Skinner
-Exhibiting artists are based in Brighton, Glasgow, Liverpool, London and Silverdale.
-St. George’s German Lutheran Church is the oldest surviving German Church in Britain and has a historic role as a place of refuge. The church closed for regular worship in 1996, after which time it was taken into care by The Historic Chapels Trust. Although it is still occasionally used for church services by the German community from London and the surrounding area, it is now principally used for concerts, lectures, meetings, and a place of historical study.
– The Historic Chapels Trust was established in 1993 to take into ownership redundant chapels and other places of worship in England which are of outstanding architectural importance and historic interest.
– Open House London is the capital’s greatest architectural showcase and will take place on 18 & 19 September 2010. The initiative is a simple but powerful concept: hundreds of great buildings of all types and periods open up their doors to all, completely for free. It is a truly citywide celebration of the buildings, places and neighbourhoods where we live, work and play, and is your opportunity to get out and get under the skin of London’s amazing architecture.